Thaeonblade

Okay My Hero Academia...I want to keep liking you But I'll be honest...I’m tired... I know I’m going to get hate for this and I don’t care. But can My Hero Academia go five minutes without romanticizing a fucked abusive unhealthy, destructive or terrible relationship? Because right now, the heroes look like self-righteous dumbasses who should not be trusted nor have any good sense of reason, logic or frankly a consistent sense of morality, ethics and justice. And every time the story pulls out that “the villain is a child inside” crap or goes on about how life was unfair to the mass murderer, it makes the villain look more and more unintentionally unsympathetic. Can heroes like Izuku and Ochako be allowed to set boundaries and priorities to let horrible people hurt them without being considered bad heroes or bad people? Is it really bad for them to not let themselves get hurt just to validate some asshole’s feelings? Ochako doesn’t owe Toga shit. Toga isn’t entitled to shit.

Okay My Hero Academia...I want to keep liking you But I'll be honest...I’m tired... I know I’m going to get hate for this and I don’t care. But can My Hero Academia go five minutes without romanticizing a fucked abusive unhealthy, destructive or terrible relationship? Because right now, the heroes look like self-righteous dumbasses who should not be trusted nor have any good sense of reason, logic or frankly a consistent sense of morality, ethics and justice. And every time the story pulls out that “the villain is a child inside” crap or goes on about how life was unfair to the mass murderer, it makes the villain look more and more unintentionally unsympathetic. Can heroes like Izuku and Ochako be allowed to set boundaries and priorities to let horrible people hurt them without being considered bad heroes or bad people? Is it really bad for them to not let themselves get hurt just to validate some asshole’s feelings? Ochako doesn’t owe Toga shit. Toga isn’t entitled to shit.

Born upon the waves of the Sister seas, the cloaked warrior had not seen their shores for many years. Many of his travels and tasks had bound him to the land which was ever embroiled in war. Through these lands he endured and survived, always standing where others had fallen or knelt. Whether this was skill or luck, the warrior had this gift since he was a small child. It was this gift that allowed him to survive his captors and eventually gain his freedom through death and blood. His firm hardened body had been honed by years of travel and twice as many years in combat and strife. His dark copper skin was rough and his blue eyes were dimmed though not without light. His head beneath his cowl was shaved and when he dared smile, he kept his lips closed to hide the few teeth which were chipped or missing. Bones or copper filled the gloves where his two fingers were missing and his boots were padded to account for missing two toes on one foot and a single toe on the other. He ignored

Dragon Age Inquisition is a game that I both love and hate. That's what's taken so long to write this review. Every time I think about this game, I always struggle to make up my mind about. I enjoyed playing the game and I had fun with it. But there were elements that were neglected, wasted or just flat out bad. I'm not even sure that I could consider this game better than Dragon Age 2. Sure, Dragon Age 2 dropped the ball in a lot of ways, but it was also the best game that it could've been considering its rushed development cycle and the inherent limitations that it had to work with. You could tell that Bioware truly gave everything that they could to utilize their limited resources to optimize Dragon Age 2's quality. With Inquisition, I can see that Bioware brought their A game in some ways. But they forgot their A game in other ways that could've made the game better. Or I suspect that Bioware deliberately skimped on aspects of the game to be more hip with the new political